Jim Dine's 1985 woodcut, "The Channel (Two Side Views)," is a powerful and evocative work that showcases Dine's fascination with skulls as a recurring motif in his art. The print features two skulls, one large and in profile, dominating the composition, while the other is in opposite profile on the upper right. The skulls are rendered with Dine's characteristic bold and expressive style, with intricate details and a sense of depth that adds to their haunting presence.

Skulls have been a central theme in Dine's work since the 1960s, and they hold a deep personal significance for the artist. Dine has stated that he sees skulls as symbols of mortality, but also as symbols of life and vitality. He often uses skulls in his art to explore themes of life, death, and the passage of time, as well as to reflect on his own experiences and emotions.

The use of woodcut as a medium adds to the impact of the print, with the rough texture of the wood and the bold lines enhancing the sense of depth and drama in the composition. The black and white color palette adds to the graphic quality of the print, emphasizing the contrast between light and shadow and enhancing the overall impact of the skulls.

Overall, "The Channel (Two Side Views)" is a powerful example of Jim Dine's ability to imbue everyday objects with deeper meaning and emotional resonance. Through his use of skulls as a motif, Dine invites viewers to contemplate the fleeting nature of life and the inevitability of death, while also celebrating the beauty and vitality of existence.